![]() There are also allusions to UFO-adjacent phenomena like lenticular clouds and weather balloons, with the flying object in Nope looking strikingly inflatable at certain points. T here’s the mutilation of livestock (though UFOs seem to be more interested in cows than horses in real life). Later, there’s what at first a ppears to be a textbook case of alien abduction. Peele heaps just about everything imaginable in his story: early on coins, keys, and other metal objects rain from the sky, seemingly at random, echoing real-world reports of strange weather phenomena. Nope could perhaps be described as a compendium of oddities from UFO lore at times, watching it feels like flicking through a copy of the Fortean Times. What are less common are truly unpredictable movies, like Nope – where, just as you feel as though you’ve settled into its groove, the narrative’s swerved off in another direction with a stomach-fluttering lurch. The prevalence of horror in 21 st century cinema – besides the superhero movie, it’s one of the few genres people reliably leave their house to see – means that scenes of violence and outlandish gore are commonplace on the large screen these days. Try three issues of Film Stories magazine – for just £1!: right here! ![]() What those trailers didn’t give away, though, was just how flat-out freaky Nope really is: serving as co-producer and writer as well as director, Peele gives himself the latitude to explore all kinds of sub-plots, visual non-sequiturs (or are they?) and abrupt changes in tone and even genre. The trailers gave us a hint of the premise: horse trainers OJ Haywood (Daniel Kaluuya ) and his sister Em (Keke Palmer) encounter something otherworldly floating above their remote Californian ranch. It helped that Nope’s marketing gave relatively little away. ![]() ![]() SOLID BRASS FIRE DOGS FULLFull credit to director Jordan Peele, then, for making such an aged genre sta p le feel scary again not since Close Encounters Of The Third Kind, or the lesser-known Fire In The Sky, perhaps, have pebble-shaped alien vehicles felt truly threatening (though it’s probably worth throwing in Denis Villeneuve’s Arrival here for their own ghostly presence). Whether you call them UFOs, flying saucers, foo fighters or UAVs, aerial phenomenon have been a familiar sight in movies since the middle of the 20th century. ![]()
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